Thursday, March 5, 2020

Lowly Is The View for some Black Writers

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From: The Bluest Eye  By Toni Morrison, Lorain, Ohio native.

Why Lord did you bring the Negro to these shores?

CHAPTER I: A Brief History of Time

My grandfather Charles Henry Morgan brought his wife Pecola and their children from Pittsburgh, Pennsylvania to an east side Cleveland neighborhood called Glenville where they lived on Olivet Avenue. The couple had married in Portsmouth, Ohio. This I learned from interviewing my aunt Barbara who also told me that her father drank and was a cheat who beat their mother. It was during their time in Glenville, that my aunts and uncles learned to dread the sound of their father’s arrival home. Of the seven children, only Carlos Morgan would graduate from Glenville High School in the mid-40s. Then, the family left Cleveland in 1947 and moved 30 miles west to Lorain, Ohio where Charles eventually abandoned them only to die a scoundrel’s death in the 1970s somewhere in Pennsylvania.
My maternal grandfather Jessie Chisholm brought his wife Lula Mae to the same small town. The rest of his family made a staggered migration to Lorain from Atlanta, Georgia. He found employment in the shipyard while his wife did domestic work. My mother Era Ann arrived with her sister Molly in the 1940s. Her father was revered in the community given respect by those who knew him as an upstanding citizen, a Lodge member, and a praying man.
Like his father, Charles Henry Morgan Jr. would beat his wife and cheat on her. He verbally abused her until she ran away. His children dreaded when he came home; when he cooked and especially when he lectured.
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My parents never finished high school. Charles served in the Air Force as a mechanic while stationed at Wright Patterson Airforce Base which was located in Dayton, Ohio, the town where he was born. However, he never shipped out because World War II ended. He was a musician, and composer who wanted to front his own band. Era was a teenage divorcee, who wanted to become a dancer like Kathryn Dunham with a daughter, but life had different plans.
Charles was her way out of Lorain, the small town that sat at the mouth of the Black River and under a dark cloud that hoovered and ruled over it, which, from the window of the bus she rode up from the south, my mother saw. Once under it, Era was raped by a man she met. In 1945, at the age of fifteen she gave birth to his daughter, and married him albeit, under duress. My father’s family would move into a slab house in Sheffield. Charles Morgan Sr. would leave his wife and children to make it on their own.
Eventually, I saw the black fog manifested as a willowy black witch atop a pile of gravel near the desolate railroad tracks where I walked, explored and played with my cousins who lived and suffered in poverty in the small town where there was nothing to do. I thought my  vision is due to an overactive imagination because I made up stories constantly. Later, I realized there was a different explanation—Lorain is an epicenter of evil that I would always hate and for a good reason—nothing decent could ever happen under this sky and the witch’s appearance was an incarnation, a brazen figure of the ungodly authority that would haunt me for nearly a lifetime.
Throughout my life, there is always a witch nearby, a reminder I now believe of a worldwide system—its pervasiveness, and dream killing ability. But was that true? Is that the given nature of things? Who knows? I do know the truth about who you are, why you are here exists independent of the rhetoric of gender, race, religion, place, etc. When you learn this, you are made free and for me, that meant becoming an author, writing a novel, and leaving at least one idea that would outlive me.
My mother had escaped or, so she thought; my father thought he had found the woman of his dream, or did he? Their five children were all born out of wedlock—one died. My parents eventually married in August 1964. After renting on Ashbury, Edmunds and Wade Park, Charles, a laborer at J&L Steel, a Yellow Cab driver, and the leader of Le Magnifique Orchestra, moved his family to a home in Glenville—the paradise where a family could find everything it needed.
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Glenville was a destination for Negro families; however, after 1968, everything changed. Our father had warned us, and tried to prepare us, but we thought he was bitter and crazy. 

About the author
Charlotte Morgan is a writer who was born and raised in Cleveland, Ohio where she has been fortunate to teach First-Year English at her Alma mater Cleveland State University. She has led Non-Fiction workshops around town in the hopes of helping others find their voice. As a writer, from time to time, her work investigates the black experience in the urban pastoral in the hopes of understanding not only why her ancestors were brought to the States but what was their destiny and purpose here. Her aim is to rob the graveyard of her insights, and ideas so that future generations have access. As a longtime journalist, her use of literary reportage has been influenced by the works of New Journalism writers like Tom Wolfe, Truman Capote, Joan Didion, Hunter S. Thompson and Cameron Crowe.  She seeks to skillfully captures images and dialogue which enlivens her prose. 

Excerpt from Glenville: My Side of Paradise. Copyright ©2020.  MorganWorks. 
@morganwriter (Twitter and Instagram)




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